Portico II vs. The Other Guy

I knew going into it, that having the opportunity to try out the Portico II for my home recording project would leave me regretful I could only use it for a few days, on a few instruments...

I own a far less-expensive Mic Pre at home that I decided to compare the Portico II against while recording bass guitar with similar knob settings on each unit to get an idea of what the difference  in quality would be.  First of all, if you're recording bass guitar, you might find the Portico II to be the ideal choice, because of it's additional EQ and Compressor Settings, which in my opinion sounded amazing direct input or from the mic'd bass amp.  Compared to my own Mic Pre Amp, which did not have these additional features, the initial sounds I got from the Portico II were simply wider and more well-rounded before I even hit the 'Silk' Button, which added a little extra uniqueness to it.  All in all, the Portico II is a great '3-in-1' component that would most like satisfy any home or studio recording set-up on a variety of instruments.  If you can afford to spend the extra money to rent one of these, it'd definitely kick your recording up a few notches.

-Reviewed by Jared Paul Boulanger

F.M.R. A.R.C. ; Articulation, Resonance and Clarity

FMR ARC

This is a great unit for getting clean sustain at high volumes. I used it last night at the Broken Spoke here in Austin TX. The rig is a 69' Telecaster through an early 70's Vibrolux. The fidelity was great for a live show. Don't know how it would be for recording but FMR makes great studio gear already, the R.N.C and R.N.P to name a few. The A.R.C. is FMR's first foray into the world of stomp boxes and it rules. You can get the sustain without the crunching that happens with other stomp box compressors. Easy to adjust on the fly because of the big knobs. This is really cool if you're playing through a loud, powerful amp in a small venue. Great stuff. 

-Reviewed by Gary Newcomb
after playing at the Spoke w/ Dickie Lee Erwin 07/13/2010

Universal Audio 1176LN Leveling Amplifier

In a recent mixing session I had a vocal track recorded through a Shure green bullet mic live. Inherently, the mic had a great over-driven sound but also picked up a lot of ambient drums and guitar. I used UA's 1176LN to compress the track. I used a 12:1 ratio and right away could hear the vocals more in the foreground of the track and substantially decreased the ambient noise. Just what I wanted. The compression was very smooth and didn't really suck the tone out. I highly recommend this unit for bringing up weak or over-driven signals to tape or in the mix.

reviewed by Matt Puryear.

Unit available for Rent or Sale at Rock n Roll Rentals