In 1985, David Royer (Royer Labs) started producing hi-quality condenser microphones on a small scale from his garage in Fullerton, CA. Today these mics are highly sought after by engineers and producers for their precision, character and design. After reading some back story about David, I decided to buy a Mojave MA-201fet when I was in the market for a general "all-purpose" mic and found that it gave a great sonic representation of just about anything. It has since become my "go-to" mic for recording! When it came time to record drums recently for my band The Sour Notes, I thought I'd give a pair of MA-100s a try as overheads. These small diaphragm tube condensers feature two interchangeable, 3-micron capsules, Jensen transformer and a military-grade JAN 5840 vacuum tube. I ran them through a slightly overdriven UA 4-710d preamp, which gave me a crisp, bright response that sat great in the mix! I set them up about 3-feet above the hi-hat and floor tom and used a Beta-52 on the kick, 2-57s on the top & bottom snare and an Octava MK-319 5-feet in front of the kit. Check out the final mix below by Danny Reisch and mastered by Joe LaPorta at Sterling Sound.
Song: Mannequin (Wire cover) on BandCamp
Video: Recording drums with Mojave MA-100s and Jordan Johns
by Jared Boulanger (singer/guitarist at The Sour Notes)
Showing posts with label Royer. Show all posts
Showing posts with label Royer. Show all posts
Wednesday, June 26, 2013
Wednesday, October 27, 2010
Royer's R-101 Budget Ribbon Studio Mic: An Intro to Royer
Any gear head will tell you that despite the amount of upkeep and special attention they require, ribbon microphones can produce a tone that can not be matched by any small, medium, or large diaphragm condenser, and therefore are worth their minty price tag. The richness and stability of the tone, as well as the ability to withstand outrageous SPL's makes the ribbon mic a must have. Drum overheads, electric guitar amps, and brass instruments are probably the most common applications, but when put in breathing proximity to an acoustic guitar or vocals - a characteristic 'vintage' sound reminiscent of the RCA heydays is produced.
Royer Labs, creators of the studio-staple R-121, have released a ribbon mic at a price almost $500 less than the 121, making it their most affordable mic. Despite the lower list price - their infamous 'offset-ribbon transducer' patent was still able to make its appearance in the R-101. Unlike the Californian sister mics of the R-101, the capsule is manufactured overseas (surprise!). However, this does not at all discount the capability of this mics performance.
The heavyset mic is set - front side toward the bell for the 'less bright' tone.
Breathe in, press record, monitor carefully, press stop, exhale.
Not surprising, that ribbon tone in through my 80's-era Studiomaster pre's and out through a pair of Adam A7s displayed a tone that warmed my blood and almost stopped my heart - almost.
The presence of the saxophone's reedy resonance showed characteristic of a Royer mic, but there was something different - a darker tone. Personally speaking, it was not the best tone for this application. Perhaps the back of the mic would have sufficed.
Overall I was satisfied, but not thrilled about this mic, but for the price - it would be hard to say no to add the R-101 to your mic collection.
Check it out for yourself at Rock N Roll Rentals for $24 weekly or $48 monthly!
As an added bonus, a clip of the recording:
Written by Audio Engineer/Producer Ali Ramzanali
Labels:
R-101,
R-121,
Ribbon Mic,
Royer,
Saxophone Miking
Tuesday, September 22, 2009
Royer Ribbons Recording Drums

Royer Labs has a great resource online www.royerlabs.com. It is refreshing to approach recording drums using a minimalist approach. Of course it helps to have a good drummer and a good space.
Rock n Roll Rentals has, in stock, 4 R-121's, 2 R-122's, 1 R-122V, & 1 SF-12. We can special order any of the other mics for you as well.
Labels:
R-121,
R-122,
R-122V,
Recording Drums,
Ribbon Mic,
Royer,
SF-12
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